Plastiline 750g

Plastiline 750g
plastiline 750g, stop-motion, shop paris

There are 9 products.

Showing 1-9 of 9 item(s)

plasticine 750g - 1...

Price €16.00
plasticine 750g - 1 hardness - dark grey: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

Plasticine 750g - 1...

Price €16.00
Plasticine 750g - 1 hardness - ivory: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

Plasticine 750g - 1...

Price €16.00
Plasticine 750g - 1 hardness - pink of Naples: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 2...

Price €16.00
plasticine 750g - 2 hardness - dark grey: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 2...

Price €16.00
plasticine 750g - 2 hardness - ivory: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 2...

Price €16.00
plasticine 750g - 2 hardness - pink of Naples: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 3...

Price €16.00
plasticine 750g - 3 hardness - dark grey: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 3...

Price €16.00
plasticine 750g - 3 hardness - ivory: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

plasticine 750g - 3...

Price €16.00
plasticine 750g - 3 hardness - pink of Naples: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.

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